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When it comes to performance colliding with persona, Phoenix is posthumously compared to James Dean, and it now seems Chalamet is being likened to Phoenix. Passing the heartthrob mantle forward, Phoenix's re-making of Hollywood's manhood in My Own Private Idaho was a reckoning, and one can only imagine what his acting prowess would have gone on to conquer if it were not for his premature death.
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Meanwhile, Reeves's career flourished after My Own Private Idaho. He went on to star in The Matrix and the John Wick franchises, blossoming from pin-up to one of Hollywood's greats. It seems Chalamet may have taken note, for he too straddles arthouse and blockbuster, the latter more recently with his leading role as the universe's deity in Denis Villeneuve's Dune (2021).
Emerging as two of the most celebrated and idiosyncratic actors of the 90s, Reeves and Phoenix's gave performances in My Own Private Idaho – at the zenith of their heartthrob status – that allowed an impressive emancipation from the narrow scope of the leading man. Registering as a reverential artefact in their filmographies, My Own Private Idaho took its stars to places where Hollywood wouldn't take its heartthrobs: to political and artistic expression with drug-dazed homosexual hustlers.
For even the greatest rock and pop stars, striking out from the band that made their name can be a major challenge – just witness Mick Jagger's solo career. But one musical legend who had no trouble asserting her independence is Stevie Nicks. When she went solo in earnest 40 years ago, the woman who had been integral to Fleetwood Mac's transformation into the world's biggest band carved out an identity as a star in her own right. She didn't just make a chart-topping album, Bella Donna, but came up with a stunning anthem that only seems to grow more popular with age.
'This song is 40 years old and yet generation after generation refer back to it,' says music journalist Leonie Cooper. 'It never sounds dated, always fresh and exciting. Is it disco? Is it rock? Does it even matter?' Edge of Seventeen's genre-spanning appeal was underlined in 2001 when R&B girl-group Destiny's Child repurposed its riff for their single Bootylicious, which became a US number one hit. Nicks endorsed the sample by making an elegant appearance in the music video. As band members Beyoncé Knowles, Kelly Rowland and Michelle Williams come into view at the start, Nicks can also be seen strumming a guitar.
A research team at Kyoto University in Japan followed 1,000 volunteers for two years and discovered there were zero cases of mental illness among those who ingested the fungus without ill effect - but this didn't mean they shouldn't worry either! Learn more about magic mushrooms.
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