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However, the worry is that, as well as there being less explicit depictions of sex in the movies now, there has also been a more general loss of sensuality – which again can be seen to have an economic basis. As Stephen Galloway, a writer for The Hollywood Reporter, has said: 'Hollywood is simply no
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Perhaps it's because there's so much of Anderson in his own work that it never feels crass when he mixes sensitive themes with absurdist humour. As producer James L Brooks writes in his introduction to Anderson and Owen Wilson's Rushmore screenplay, 'They have pulled off the hardest trick in all of contemporary American film: they have won the freedom to use movies as a form of self-expression.'